"Alien Abduction" even takes the time to give us a quiet and beautiful shot of Sean and Corey sitting on the front porch of the shack, waiting, staring out into the green forest, rifles cocked and ready. The eldest son, a teenager named Corey ( Corey Eid), has a small character arc that gives us an emotional pay-off. At first it seems that Sean may have strolled right out of " Deliverance," showing resentment about the city folk who come up here to his mountain, but he becomes an important and even heroic figure. Things get distinctly creepier the following day, and the panicked family find refuge in the cabin of Sean, the backwoods guy. The lights move in tandem in a triangular formation, before jutting off at right angles. On their first night camping, the three kids look up and see strange lights moving in the night sky. The Morris family, parents and three kids, are on a family camping trip.
The device is a bit too neat, not to mention reductive, but it works. Put the camera down and run for your lives! In "Alien Abduction," the camera is in the hands of Riley Morris ( Riley Polanski), an 11-year-old autistic boy, who films everything in his life because it helps him engage with the world. The problem with a lot of found-footage films is the amount of disbelief one needs to suspend in order to accept that people would keep filming through hair-raising moments of terror. Project Blue Book was set up to analyze UFO data and ascertain whether or not UFOs (if they existed) posed any threat to national security. Air Force, whose creation of Project Blue Book in 1952 helped form the paranoid atmosphere on Brown Mountain. The footage of the film is said to be "leaked" from the U.S. "Alien Abduction" opens like a documentary, showing interviews with physicists and paranormal researchers, who all say that the Brown Mountain Lights cannot be explained, and the situation surely warrants more research.
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